{"id":365,"date":"2020-08-03T14:51:49","date_gmt":"2020-08-03T12:51:49","guid":{"rendered":"https:\/\/bebop-violin.com\/?p=365"},"modified":"2020-09-29T21:25:57","modified_gmt":"2020-09-29T19:25:57","slug":"travail-de-placement-rythmique-le-secret-du-groove","status":"publish","type":"post","link":"https:\/\/bebop-violin.com\/index.php\/2020\/08\/03\/travail-de-placement-rythmique-le-secret-du-groove\/","title":{"rendered":"Travail de placement rythmique: le secret du \u00ab\u00a0groove\u00a0\u00bb"},"content":{"rendered":"\n<p class=\".wp-embed-responsive .wp-block-embed.wp-embed-aspect-4-3 .wp-block-embed__wrapper:before { padding-top: 0; }\">  Comment faire que les phrases sonnent \u00ab\u00a0cool\u00a0\u00bb et \u00ab\u00a0groovy\u00a0\u00bb?  <\/p>\n\n\n\n<p class=\".wp-embed-responsive .wp-block-embed.wp-embed-aspect-4-3 .wp-block-embed__wrapper:before { padding-top: 0; }\"> Bien souvent, il ne suffit pas d&rsquo;avoir les bonnes id\u00e9es d&rsquo;improvisation. Les phrases qui \u00ab\u00a0sonnent\u00a0\u00bb sont avant tout bien plac\u00e9es rythmiquement. Et ce sont celles dont l&rsquo;auditeur s&rsquo;en souviendra. Or une phrase bien plac\u00e9e. groove naturellement. Le secret du groove r\u00e9side dans la ma\u00eetrise de la subdivision du temps. Par exemple <strong>une noire<\/strong> doit \u00eatre jou\u00e9e avec un ressenti de <strong>quatre double croches<\/strong>. Sans celui-ci, difficile de convaincre \u00e0 la fois les coll\u00e8gues musiciens et l&rsquo;auditoire.  <\/p>\n\n\n\n<p>Le groove est nourri d&rsquo;accents que le violoniste place \u00e0 sa guise. En subdivisant une noire en quatre double croches il devient beaucoup plus facile d&rsquo;identifier celles o\u00f9 on veut placer les accents. <\/p>\n\n\n\n<p class=\".wp-embed-responsive .wp-block-embed.wp-embed-aspect-4-3 .wp-block-embed__wrapper:before { padding-top: 0; }\">Pour illustrer le travail de subdivision en double croche voici une s\u00e9rie d&rsquo;exercices facile \u00e0 travailler chez soi. <\/p>\n\n\n\n<figure class=\"wp-block-embed-youtube wp-block-embed is-type-video is-provider-youtube .wp-embed-responsive .wp-block-embed.wp-embed-aspect-4-3 .wp-block-embed__wrapper:before {  padding-top: 0; }\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Technique de Violon jazz: le secret du groove\" width=\"990\" height=\"557\" src=\"https:\/\/www.youtube.com\/embed\/W5FtKx2zjAo?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p class=\".wp-embed-responsive .wp-block-embed.wp-embed-aspect-4-3 .wp-block-embed__wrapper:before { padding-top: 0; }\"><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Comment faire que les phrases sonnent \u00ab\u00a0cool\u00a0\u00bb et \u00ab\u00a0groovy\u00a0\u00bb? Bien souvent, il ne suffit pas d&rsquo;avoir les bonnes id\u00e9es d&rsquo;improvisation. Les phrases qui \u00ab\u00a0sonnent\u00a0\u00bb sont avant tout bien plac\u00e9es rythmiquement.<a href=\"https:\/\/bebop-violin.com\/index.php\/2020\/08\/03\/travail-de-placement-rythmique-le-secret-du-groove\/\" class=\"more-link\"><span class=\"readmore\">Continue reading<span class=\"screen-reader-text\">Travail de placement rythmique: le secret du \u00ab\u00a0groove\u00a0\u00bb<\/span><\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[],"class_list":["post-365","post","type-post","status-publish","format-standard","hentry","category-tutoriels"],"_links":{"self":[{"href":"https:\/\/bebop-violin.com\/index.php\/wp-json\/wp\/v2\/posts\/365","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/bebop-violin.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/bebop-violin.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/bebop-violin.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/bebop-violin.com\/index.php\/wp-json\/wp\/v2\/comments?post=365"}],"version-history":[{"count":9,"href":"https:\/\/bebop-violin.com\/index.php\/wp-json\/wp\/v2\/posts\/365\/revisions"}],"predecessor-version":[{"id":377,"href":"https:\/\/bebop-violin.com\/index.php\/wp-json\/wp\/v2\/posts\/365\/revisions\/377"}],"wp:attachment":[{"href":"https:\/\/bebop-violin.com\/index.php\/wp-json\/wp\/v2\/media?parent=365"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/bebop-violin.com\/index.php\/wp-json\/wp\/v2\/categories?post=365"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/bebop-violin.com\/index.php\/wp-json\/wp\/v2\/tags?post=365"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}