{"id":349,"date":"2020-07-15T00:20:30","date_gmt":"2020-07-14T22:20:30","guid":{"rendered":"https:\/\/bebop-violin.com\/?p=349"},"modified":"2020-07-15T00:22:47","modified_gmt":"2020-07-14T22:22:47","slug":"travail-de-placement-rythmique-par-le-chant","status":"publish","type":"post","link":"https:\/\/bebop-violin.com\/index.php\/2020\/07\/15\/travail-de-placement-rythmique-par-le-chant\/","title":{"rendered":"Travail de placement rythmique  par le chant"},"content":{"rendered":"\n<p>La plus grande difficult\u00e9 dans le violon jazz r\u00e9side dans le placement rythmique. Celui-ci doit \u00eatre ma\u00eetris\u00e9 \u00e0 l&rsquo;archet d&rsquo;o\u00f9 l&rsquo;importance du travail de la main droite avant celui de la main gauche. Or si on n&rsquo;a pas travaill\u00e9 le swing (pour se limiter d&rsquo;abord au \u00ab\u00a0rythme ternaire jazz\u00a0\u00bb), c&rsquo;est-\u00e0-dire  assimil\u00e9 le ressenti du \u00ab\u00a0rebond\u00a0\u00bb propre \u00e0 la croche syncop\u00e9e, il sera tr\u00e8s difficile de le reproduire par la suite avec l&rsquo;archet. <\/p>\n\n\n\n<p>Je propose ici un petit exercice de chant pour faciliter ce travail d&rsquo;assimilation. <\/p>\n\n\n\n<figure class=\"wp-block-embed-youtube wp-block-embed is-type-video is-provider-youtube .wp-embed-responsive .wp-block-embed.wp-embed-aspect-4-3 .wp-block-embed__wrapper:before {  padding-top: 0; }\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Technique de violon jazz: le placement rythmique par le chant\" width=\"990\" height=\"557\" src=\"https:\/\/www.youtube.com\/embed\/WxaN4glusCM?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p> <\/p>\n","protected":false},"excerpt":{"rendered":"<p>La plus grande difficult\u00e9 dans le violon jazz r\u00e9side dans le placement rythmique. Celui-ci doit \u00eatre ma\u00eetris\u00e9 \u00e0 l&rsquo;archet d&rsquo;o\u00f9 l&rsquo;importance du travail de la main droite avant celui de<a href=\"https:\/\/bebop-violin.com\/index.php\/2020\/07\/15\/travail-de-placement-rythmique-par-le-chant\/\" class=\"more-link\"><span class=\"readmore\">Continue reading<span class=\"screen-reader-text\">Travail de placement rythmique  par le chant<\/span><\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[],"class_list":["post-349","post","type-post","status-publish","format-standard","hentry","category-tutoriels"],"_links":{"self":[{"href":"https:\/\/bebop-violin.com\/index.php\/wp-json\/wp\/v2\/posts\/349","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/bebop-violin.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/bebop-violin.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/bebop-violin.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/bebop-violin.com\/index.php\/wp-json\/wp\/v2\/comments?post=349"}],"version-history":[{"count":1,"href":"https:\/\/bebop-violin.com\/index.php\/wp-json\/wp\/v2\/posts\/349\/revisions"}],"predecessor-version":[{"id":350,"href":"https:\/\/bebop-violin.com\/index.php\/wp-json\/wp\/v2\/posts\/349\/revisions\/350"}],"wp:attachment":[{"href":"https:\/\/bebop-violin.com\/index.php\/wp-json\/wp\/v2\/media?parent=349"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/bebop-violin.com\/index.php\/wp-json\/wp\/v2\/categories?post=349"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/bebop-violin.com\/index.php\/wp-json\/wp\/v2\/tags?post=349"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}